'Was it challenging writing a horror comedy play?
While writing my style of comedy has always come naturally to me because I grew up on classic British sitcoms, the horror aspect is more challenging. I think there’s a lot more funny comedy out there than genuinely scary horror, so we want to make sure we don’t short-change our audiences with something half-heartedly spooky. When the play moves into horror, expect edge of your seat stuff.
While writing my style of comedy has always come naturally to me because I grew up on classic British sitcoms, the horror aspect is more challenging. I think there’s a lot more funny comedy out there than genuinely scary horror, so we want to make sure we don’t short-change our audiences with something half-heartedly spooky. When the play moves into horror, expect edge of your seat stuff.
I think SHAUN OF THE DEAD and SCREAM are two excellent examples of of the genre, though SCREAM is often billed as a straight-forward slasher, I see it more as a incredible parody of one (in a good way) - there's a reason why the two genres are such common bedfellows. In my mind, they can both fold seemlessly into the other.'
taken from bad bat.co.uk
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